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The ' was a weekly musical review founded in 1827 by the Belgian musicologist, teacher and composer François-Joseph Fétis, then working as professor of counterpoint and fugue at the Conservatoire de Paris. It was the first French-language journal dedicated entirely to classical music. In November 1835 it merged with Maurice Schlesinger's ''Gazette musicale de Paris'' (first published in January 1834) to form ''Revue et gazette musicale de Paris'', first published on 1 November 1835. It ceased publication in 1880. ==History== By 1830 the ''Revue musicale'', written and published by Fétis, was on sale at Maurice Schlesinger's music seller's premises.〔Vol 7 (Tome VIII, IVme année) (1830) sold by Fétis, Alexandre Mesnier & Schlesinger. See review of Vol. 7 in (''Revue française'', Issues 13-14, p. 281-3 ).〕 Schlesinger (whose father founded the ''Berliner allgemeine musikalische Zeitung'') was a German music editor who had moved to Paris in 1821. Schlesinger published editions of classical and modern music under his own name at a reasonable price, most notably works by Mozart, Haydn, Weber, Beethoven, Hummel and Berlioz. He also published ''Robert le diable''〔Full score of Schlesinger's edition of (Robert le diable ) at IMSLP.〕 and ''Les Huguenots'' by Giacomo Meyerbeer, as well as ''La Juive'' by Fromental Halévy.〔 ' vol. 9, p. 9405.〕 Schlesinger founded his own rival publication, the ''Gazette Musicale de Paris'', which first appeared on 5 January 1834.〔 〕〔 ' Larousse, p. 286 ISBN 978-2-03-505545-3.〕 Another music journal, ''Le Ménestrel'', had first appeared the previous month on 1 December 1833. Until ''La Revue et Gazette'' ceased publication in 1880, ''Le Ménestrel'' was to be its main rival in terms of influence and breadth of coverage. In 1835, Schlesinger bought the ''Revue musicale'' from Fétis and merged the two journals into the ''Revue et gazette musicale de Paris''. He widened the subject matter of the ' from music itself to also include literature about music – in 1837 he commissioned from Honoré de Balzac for the ''Gazette'' the novella ''Gambara'' (dealing with the new style of grand opera).〔 René Guise, ''La Pléiade'', p. 1517. Pierre Brunel, "", ''Folio Classique'', 1995, pp. 318–9 comprising ''Gambara'', ''Sarrasine'', ''Massimilla Doni''.〕 The name ''Revue musicale'' returned for six months in 1839 as the ''Revue musicale, journal des artistes, des amateurs et des théatres'' while the journal was a bi-weekly publication. The list of contributors to the ''Revue et gazette musicale'' in 1840 included: François Benoist, Hector Berlioz, Castil-Blaze, :fr:Antoine Elwart, Stephen Heller, Jules Janin, Jean-Georges Kastner, Franz Liszt, Édouard Monnais (director of the Paris Opera from 1839 to 1847), :fr:Joseph d'Ortigue, Theodor Panofka, Ludwig Rellstab, Georges Sand, Robert Schumann, and one Richard Wagner. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Revue et gazette musicale de Paris」の詳細全文を読む スポンサード リンク
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